The american excavations in the athenian agora.
The iconography of attic late geometric ii pottery.
P the main body of the work begins with a detailed look at those iconographic representations.
All the iconographic elements of this style are present in this class of naxian pottery.
Sheedy 1990 the classical review 40 02 418 419.
10 the hatched quatrefoil fig.
Rombos the iconography of attic late geometric ii pottery.
The pottery produced in archaic and classical greece included at first black figure pottery yet other styles emerged such as red figure pottery and the white ground technique.
The iconography of attic late geometric ii pottery.
Studies in mediterranean archaeology and literature pocket book 68 pp.
The iconography of attic late geometric ii pottery.
9 45 or on their backs 46 the reclining deer looking backwards 47 goats at the tree of life fig.
The thesis is an attempt to view the iconography of attic vase painting of the late geometric ii period in relation to the previous late geometric i period as well as the ensuing early protoattic and to establish and interpret the origin and meaning of the various iconographic themes.
In the catalogue for the royal academy attic late geometric iib 710 700 b c.
1 in the russian catalogue it appeared as proto attic 700 690 b c.
The horse at the manger figs.
7 8 43 the hanging double axes 44 the birds under the horses fig.
Late geometric graves and a seventh century well in the agora.
After the very thorough article by van gelder and further correspondence with j n.
Coldstream greek geometric pottery.
Paul aströms förlag.
Pocket book volume 68 of studies in mediterranean literature.
A survey of ten local styles and their chronology.
A survey of ten local styles and their chronology london 1968.
2 the pupil of the centaur s eye is slightly damaged.
Schweitzer untersuchungen zur chronologie und geschichte der geometrischen stile in griechenland ii am 43 1918.
Iconography of attic late geometric ii pottery.
Sima pocket book 68 jonsered 1988.
Geometric art in greek pottery was contiguous with the late dark age and early archaic greece which saw the rise of the orientalizing period.
The thesis is an attempt to view the iconography of attic vase painting of the late geometric ii period in relation to the previous late geometric i period as well as the ensuing early protoattic and to establish and interpret the origin and meaning of the various iconographic themes.
11 and many more.